LOGLINE: When a young woman disappears after a festival in Castellón, a dysfunctional group of expats and locals set out on an impulsive road trip across Spain to find her, each with their own secrets, motives, and growing doubts about whether she wants to be found at all.
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This is great, Nolan. Honestly, however, it's a lot to digest as exposition/narrative. Characters, plot, theme, languages, innuendo. Hay muchísimo que leer e entender. As a former soap opera ("daytime serial") writer and actor, every soaper begins with what's called its "bible," basically a history of the characters, their interrelationships, and when the "action" is set. Once that's been established, we worked in 13-week cycles, factoring in the guaranteed "air time" promised to each actor in his/her contract. Hence, lots of repetition. Nonetheless, the 13-week cycle moves us from point A > B. Then, individual scripts are created and rehearsed. Perhaps this would be an ideal vehicle for you to read, personally, into the camera? I believe it would be easier for us to follow. xox
Why am I hearing echoes of Hemingway?